{"id":576,"date":"2020-04-18T12:58:15","date_gmt":"2020-04-18T12:58:15","guid":{"rendered":"https:\/\/etnofon.pl\/?post_type=archiwum&#038;p=576"},"modified":"2026-01-01T13:46:59","modified_gmt":"2026-01-01T13:46:59","slug":"kolekcja-nagran-stanislawa-woznicy-mazowsze-wschodnie","status":"publish","type":"archiwum","link":"https:\/\/etnofon.pl\/en\/archiwum\/kolekcja-nagran-stanislawa-woznicy-mazowsze-wschodnie\/","title":{"rendered":"Stanis\u0142aw Wo\u017anica collection (eastern Mazovia)"},"content":{"rendered":"\n<p>The collection includes Stanis\u0142aw Wo\u017anica\u2019s private recordings, made within the field works near Mi\u0144sk Mazowiecki that had been carried out since 1962. The first stage of the research (1962-1964) was writing the melody by ear. The second stage was much more efficient due to National Panasonic Cassette Recorder and Unitra Automatic MK 433 that Stanis\u0142aw Wo\u017anica possesed. The recordings become a base sources for Wo\u017anica\u2019s master\u2019s thesis.<\/p>\n\n\n\n<div class=\"wp-container-3 wp-block-columns\">\n<div class=\"wp-container-1 wp-block-column\" style=\"flex-basis:66.66%\">\n<p>On the tapes we can hear only vocal performances. Some of the performers were: Stefania B\u0105kowa, J\u00f3zefa Wo\u017anica, Ludwika Skuza, Barbara Zieli\u0144ska, Mariana Zgudka and many others. Unfortunately, not all of Stanis\u0142aw Wo\u017anica\u2019s recordings exist today.&nbsp;<\/p>\n\n\n\n<p>The other important part of the collection includes the recordings of Woxnica\u2019s wedding band \u2013 Mi\u0144ska Kapela Ma\u0142ego Stasia. Therefore, typical repertoire for folk weddings and 80s parties is immortalized on a few cassetes.&nbsp;Stanis\u0142aw Wo\u017anica\u2019s documentation has been digitalized and developed by Piotr Dorosz within the <em>Polish folk music \u2013 phonographic heritage <\/em>project.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-container-2 wp-block-column\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image\"><img loading=\"lazy\" width=\"607\" height=\"621\" src=\"https:\/\/etnofon.pl\/wp-content\/uploads\/2020\/04\/A.jpg\" alt=\"\" class=\"wp-image-777\"\/><figcaption><sub>Stanis\u0142aw Wo\u017anica z pracownikami Zbior\u00f3w Fonograficznych IS PAN &#8211; Ewelin\u0105 Grygier i Jackiem Jackowskim. Warszawa, 2019 r. Fot. Kamila Pozimka.<\/sub><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p><sub><span class=\"has-inline-color has-black-color\">Zob. wi\u0119cej:<br>Piotr Dorosz,&nbsp;<em><a href=\"https:\/\/etnofon.pl\/wp-content\/uploads\/2020\/10\/JJ_tom-1.pdf#page=154\" target=\"_blank\" aria-label=\"Prywatne kolekcje nagra\u0144 Wandy Ksi\u0119\u017copolskiej i Stanis\u0142awa Wo\u017anicy (opens in a new tab)\" rel=\"noreferrer noopener\" class=\"ek-link\">Prywatne kolekcje nagra\u0144 Wandy Ksi\u0119\u017copolskiej i Stanis\u0142awa Wo\u017anicy<\/a><\/em>,&nbsp;w:&nbsp;<em>Polska muzyka tradycyjna \u2013 dziedzictwo fonograficzne. Stan aktualny, zachowanie, udost\u0119pnianie<\/em>, Instytut Sztuki Polskiej Akademii Nauk, Stowarzyszenie Liber Pro Arte, Warszawa 2017, s. 155-168.<\/span><\/sub><\/p>\n","protected":false},"featured_media":4516,"parent":0,"template":"","translation":{"provider":"WPGlobus","version":"2.8.1","language":"en","enabled_languages":["pl","en"],"languages":{"pl":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/etnofon.pl\/en\/wp-json\/wp\/v2\/archiwum\/576"}],"collection":[{"href":"https:\/\/etnofon.pl\/en\/wp-json\/wp\/v2\/archiwum"}],"about":[{"href":"https:\/\/etnofon.pl\/en\/wp-json\/wp\/v2\/types\/archiwum"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/etnofon.pl\/en\/wp-json\/wp\/v2\/media\/4516"}],"wp:attachment":[{"href":"https:\/\/etnofon.pl\/en\/wp-json\/wp\/v2\/media?parent=576"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}