{"id":593,"date":"2020-04-18T13:10:12","date_gmt":"2020-04-18T13:10:12","guid":{"rendered":"https:\/\/etnofon.pl\/?post_type=archiwum&p=593"},"modified":"2026-01-01T14:23:30","modified_gmt":"2026-01-01T14:23:30","slug":"archiwum-nagran-muzeum-zamoyskiego","status":"publish","type":"archiwum","link":"https:\/\/etnofon.pl\/en\/archiwum\/archiwum-nagran-muzeum-zamoyskiego\/","title":{"rendered":"Zamo\u015b\u0107 Museum’s collection"},"content":{"rendered":"\n

Muzeum Zamojskie w Zamo\u015bciu
ul. Ormia\u0144ska 30, 22-400 Zamo\u015b\u0107
muzeum-zamojskie.pl<\/a><\/sub>
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Museum\u2019s set of recordings is a part of a larger collection, which is located in the archive of Pracownia Bada\u0144 nad Folklorem (it has been a part of the museum from 1984 to 2005). The collection exists thanks to Marta Brzuskowska\u2019s long, hard work on documenting the folklore the areas of Zamojskie voivodeship of that time.<\/p>\n\n\n\n

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Sound library, created by Brzuskowska, includes  145 numbered casettes. Songs \u2013 popular (i.e. ballads, satirical, field songs) and ritual (wishing carols,  religious songs) as well as new repertoire (war, patriotic or entertainment) \u2013 can be heard on the recordings. Tales, legends, proverbs and interviews, which have also been immortalized on the tapes, can tell us a lot about observances. Moreover, we can listen to ukrainian songs, in ruthenian or translated to polish, though there\u2019s very few of them. Sadly, the material lacks instrumental music.<\/p>\n<\/div>\n\n\n\n

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No\u015bniki z kolekcji nagra\u0144 Muzeum Zamojskiego. Warszawa 2019 r. Zbiory Fonograficzne IS PAN. Fot. Ewelina Grygier.<\/span><\/sub><\/p>\n<\/div>\n<\/div>\n\n\n\n

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Apart from the recordings, there is a written documentation \u2013 a rich index as well as about 140 music and text transcript files. Particularly important for the archivists informations, such as names of the singers, their surnames, dates and places of birth, where and when the recordings were made and names of the people recording and transcribing. Most of the recording were made by Marta Brzuskowska, and J\u00f3zef Przytu\u0142a (the conductor in the Karol Namys\u0142owski\u2019s Symphonic Orchestra in Zamo\u015b\u0107) made most of the transcriptions. In the ethnographic collection we can also find a list of recorded texts, both spoken and sung (a few thousand files).<\/p>\n\n\n\n

The documentation of the recordings collection of the City Museum in Zamos\u0107 is being digitalized and described by Justyna Kusto and Magdalena Bill-Kunce and developed by Katarzyna Wi\u0144ska and Grzegorz Madali\u0144ski within the Polish folk music \u2013 phonographic heritage <\/em>project.<\/p>\n<\/div>\n\n\n\n

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Katarzyna Wi\u0144ska w trakcie opracowywania zdigitalizowanych nagra\u0144. Warszawa 2019 r. Zbiory Fonograficzne IS PAN. Fot. Ewelina Grygier.<\/span><\/sub><\/p>\n<\/div>\n<\/div>\n\n\n